![]() ![]() Interviste recenti sono apparse in “Studi culturali”, “Italian studies”, “L’immaginazione”, “Transpostcross” e “Romance Sphere”. Ha diretto, con Mario Domenichelli e Pino Fasano, il grande Dizionario dei temi letterari (Torino, UTET, 2007). Letteratura e fotografia, Torino 2011, La letteratura nell’età globale, Bologna 2012 (con Giuliana Benvenuti) L’uomo, i libri e altri animali, Bologna 2013 (con l’etologo Danilo Mainardi). L’immaginario in ferrovia, Torino 2002, Nebbia, Torino 2009 (con Umberto Eco), Convergenze, Milano 2010, L’occhio della Medusa. Fra i libri recenti: Raccontare il postmoderno, Torino 1997, Lo straniero, Roma-Bari 1998, Guida allo studio della letteratura, Roma-Bari 1999, Treni di carta. Negli anni seguenti ha insegnato all’ETH di Zurigo, all’Università di San Paolo (Brasile) e a Stanford. Remo Ceserani è stato professore di letterature comparate all’Università di Bologna fino al novembre 2006. Sollors (2009), and Literary Cultures of Latin America, edited by M. Domínguez (2010), New Literary History of America, edited by G. Hollier (1998), Comparative History of Literatures in the Iberian Peninsula, edited by F. Ryan (2004), New History of French Literature, edited by D. Neubauer (2004-2010), New History of German Literature, edited by D. Tarantino (2010), History of the Literary Cultures of East-Central Europe, edited by M. Marinelli (2004), Geografia e storia della civiltà letteraria rumena nel contesto europeo, edited by B. Ventavoli (2002-2004), Storia della letteratura polacca, edited by L. Among the texts examined: Storia della letteratura ungherese, edited by B. These works, instead of the traditional exclusive treatment of single countries and nations and their political, cultural, and linguistic identities, take as their subject larger areas, such as the countries of East-Central Europe or the entire Iberian Peninsula or whole continents as North or South America. The essay, after a quick examination of some recent histories that continue to privilege the national and literary dimension of the matter under consideration, engages on a more detailed analysis of a number of interesting new histories, which concentrate on the cultural and literary production of wider geographic zones. A discussion on the increasingly problematic relationship between history of literature and national identity. ![]()
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